Three major components of the quality of a novel are plot, relatability, and message. Unfortunately, there is no optimum method for weighing and mixing them, which is why so many books fall flat. Here is what each means:
For instance, we’ve all read a mystery where we’re dying to turn each page and can’t wait to find out what happens next. However, once we get to that final page, and we find out “whodunnit,” the book immediately leaves our minds; we can’t even remember the name of the protagonist the next morning. Stories like these do a good job with plot, but fail with relatability and message.
Moreover, we’ve all been recommended a book with funny and quirky contemporary characters we fall in love with. However, though their jokes may be great and they remind us of people we know in real life – maybe even ourselves – it doesn’t seem like they’re actually doing much but sitting around and talking, even if what they’re saying is interesting. These books are high on relatability, but low and plot and message.
Finally, we’ve all had an experience with a well-intentioned book aimed at tackling some major social issue. It makes big, sweeping claims for a moral revolution, however, by the end, we’re just not that motivated to get behind the cause. We got the feeling we weren’t experiencing characters in their own world, but rather, listening to the author talk to us directly in his or her own words. Though these books may be putting forward a great message, it doesn’t have any bite because we haven’t been convinced of it by the actions of characters we care about – hence, a lot of message, but no plot or relatability.
Yes, certain genres of novels lend themselves more toward certain components, and it may be difficult for authors to blend each. However, truly great books – from any category – are able to find a distinct harmony among the three.
When a story is able to succeed with the right balance, the results are extraordinary. For instance, Kurt Vonnegut does a terrific job achieving equilibrium between the three with his classic, Slaughterhouse-Five. Not only does the plot move fast and through various interesting, unique settings, but we care deeply for our innocent/crazy/regretful/hopeful hero, Billy Pilgrim, throughout all the action. By the time the story ends, Vonnegut’s message about war is crystal clear and powerful. And that message – and the book itself – has had a lasting effect on generations.
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